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Antigone

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The National Theatre’s Antigone brings this ancient tragedy forth into a modern day setting. It is quite astounding how the ancient moral dilemmas are still very much applicable to today’s tumultuous society.

The tale is based upon social values, power, and mortality.  Antigone, the eponymous heroine, longs to follow her heart as well as her religious beliefs by giving the last burial rites to her dead brother Polynices, Yet her uncle, the newly crowned King Creon has decreed that the rebel must be denied these rites and be left unburied. The King is blinded by his sole focus on the power of the state and loses sight of all reason. The chorus arises from Creon’s support staff of office workers, guards, and mail room staff. 

This is the young director Polly Findlay’s first show in the cavernous Olivier Theatre. She and designer Soutra Gilmore have placed inside a pentagon-like office with armed security, glass walls, and desks made for paper shuffling. The rotating set is brilliant and once again provides another design triumph for the National. 

Christopher Eccleston’s performance as Creon is enchanting. You know the car crash is coming, but he so completely embodies the role, that the audience cant help but watch in awe and agony. His character is driven by both a personal certainty and a need for power that together create a poisonous mix. His continuous missteps – first with his niece Antigone (Jodie Whittaker) then with his son Heaemon, and finally with the soothsayer Tiresias (Jamie Ballard) – his pride continues to lead Creon right to the catastrophic fall.  Yet he is obstinately blind to the consequences. Ballard’s tortured performance as the scarred prophet who summons the furies is superb.Whittaker physicalises her torment and the accelerated descent from rebellion to insanity. 

This is a simple, straightforward, and faithful staging of Sophocles’s work. Findlay has successfully set this ancient story in modern times. It is a powerful piece that resonates. It is full of energy and the messages, thanks to the outstanding performances and high-paced staging, ring true. I left breathless. 

 Antigone runs at The National Theatre through the 21st of July 2012.
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