I was not quite sure what to expect when travelling to the Rose Theatre in Kingston to see Julian Sands in a Celebration of Harold Pinter. This past year I have attended three Pinter productions in London and been extremely moved by the playwright’s accurate portrayal the emotive layers of the human psyche, by his simplistic and direct conveyance of the chaotic through the medium of theatre. Pinter, when done well hums, vibrates through the air and hits a pitch that few others in his field can match. When done poorly, well lets just say you would rather stay at home for the evening.
So on to the stage walked Julian Sands, the British actor who first caught my attention in his portrayal of Liszt in the film “Chopin”. His figure was striking against the black stage as he entered. His cool crisp English accent cut through the still air as he breathed life into the written words of Pinter.
This one man show, which originated earlier this year at the Edinburgh fringe festival, is directed by John Maklovich. It is a piece I wish I could have experienced in rehearsal to witness the interaction between Malkovich and Sands. As it was, I tried to imagine the interplay between the two during parts of the piece. During deliberate pauses or ironic tilts of the head, I could sense Malkovich’s guidance.
It is argued that Pinter may be the greatest UK playwright of the 20th century. Yet in this production it is the poetry and the man that Sands focuses upon. Sands personal admiration and compassion for this stage legend come through in every breath of the performance. He admires both the weaknesses and the strengths of Pinter’s character. Through personal anecdotes, private stories, and reading of the written word, the audience feels as if they are presented with a rare glimpse behind the scenes of Pinter the public figure. His character comes alive through this three dimensional representation which this piece presents.
Pinter’s poem “I know the place. It is true. Everything we do corrects the space between me and you” stands as a corner piece of Pinter’s deceptively simplistic style. Sands recollects how the writer, upon a misreading, suggests that he should read it and that one day he may understand it’s meaning. And it is in this that we find the true essence of Pinter, his words, language, literature will represent different meanings at different stages in each of our lives. His work does not stagnate, but evolves with the reader’s development and understanding.
This production is a moving portrayal of the lesser-known works of Pinter by a talented and well-informed performer. It was a pure joy and intellectual challenge to experience this performance, just as all Pinter, I believe, is meant to be. I left the theatre and went straight to buy the book “Various Voices”. I challenge you not to do the same.
For those that don’t already know, the brilliant John Malkovich will be gracing the London stage for a 2 night only event at the Barbican. In the Infernal Comedy, Malkovich will be the sole actor on stage and will be portraying the notorious serial killer Jack Unterweger to a score that includes pieces by Mozart, Beethoven and Haydn. It promises to be a must-see and, as yet, it has seemed to have slipped under the perennial theatrical radar.
In another event at the Barbican, the theatre group, Duckie, who have said they like to mix the ‘arthouse with the dosshouse’, are putting together a piece that will take its audience through the night and in to their dreams. They are going to transform the Pit into a sleepy commune and have encouraged audience members to attend, clad in their nightwear. And what’s more, they provide breakfast first thing in the morning. It will certainly be a soporific experience and even at the hefty £40 price tag, will undoubtedly be a performance that will remain with you for a very long time, even if those memories will be swimming largely in your unconscious.